Fresh out of the oven
Spot a bug? These tools are new, so the odd thing may still wobble. If something looks wrong, it probably is. Tell us and we will sort it..
Fresh out of the oven
Spot a bug? These tools are new, so the odd thing may still wobble. If something looks wrong, it probably is. Tell us and we will sort it..
Fresh out of the oven
Spot a bug? These tools are new, so the odd thing may still wobble. If something looks wrong, it probably is. Tell us and we will sort it..
Pinnora's aspect ratio converter reframes a video to 9:16, 16:9, 1:1 or 4:5, each pinned to an exact output frame. Black bars scales the picture up and crops from the centre so the frame comes out full; blur fill and colour fill keep the whole picture and pad the sides instead. It re-stitches in one pass to a new MP4.
The tool is open above. This is the short version of what to do with it.
Choose file takes any video off your disk; Open from project opens a render already in the workspace with no upload at all.
Export aspect ratio holds Source, 9:16, 16:9, 1:1 and 4:5, and each pins an exact frame: 1080 by 1920 through 1080 by 1350.
Black bars scales up and crops from the centre so nothing is padded. Blur fill puts a blurred copy behind the fitted picture; Colour fill pads to a swatch.
Re-stitch and save runs the reframe as one ffmpeg pass and lands a new MP4, leaving the source as it was. Save version snapshots the edit first.
Short answers to what people ask before they start.
No. The concat, trim, overlay, text, audio mix and export crop passes are deterministic ffmpeg work with no model behind them, so they are unbilled. The one billed part of a save is Captions: turning it on transcribes the master audio with Pinnora Voice to burn word-timed lines, charged once per save against a stable key, so retrying the same save does not double up.
Dead centre. The default pass scales the frame until it covers the target, then cuts equally off both edges, with no subject tracking, so a face parked at the left of a 16:9 shot can lose part of itself in 9:16. The preview player mirrors the export recipe, so you see what the crop takes before saving. Switch to Blur fill to keep everything in shot.
An H.264 MP4 sized to the ratio you picked: 1080 by 1920, 1920 by 1080, 1080 by 1080 or 1080 by 1350. The crop pass stream-copies the audio rather than re-encoding it again. The result saves as a new artifact beside the source, which is never overwritten, and the versions menu rolls back to any snapshot taken with Save version.
One video file, or a video already sitting in the project. The upload box accepts anything the browser reports as video, hands it to project storage, then opens it on the base lane. The Media panel takes further clips after that, video or audio, and a save carries up to 40 clips per lane, so several cuts can be reframed as one sequence.
No. The ratio change is a scale, crop or pad in ffmpeg. No model looks at the picture, so colours, product shots, logos and on-screen type come out as they went in, only reframed. Nothing is added unless Captions is switched on, and that only burns words already spoken in the audio.
The rest of the family. Every one is free to try and runs on the same engine.
